Ray Hendershot reminded the world of the charm of the pastoral landscape. In addition, he created with the help of his works the feeling of the past time - not lost youth, but pre-civilization times. His paintings will soon become historical bearers, telling about the peasant way of life in Pansylvania of the second half of the past century. Although the artist himself states that he pursued very different goals when creating them.
The subject of his paintings were not farm buildings and abandoned mills, but the texture of the surfaces of the collapsing buildings. Stone walls are dematerialized very individually, unlike the erection, especially in modern architecture of mass use. No less interesting are the withered wooden splits and glare of the world on ceramics, which has been worn away from years of exploitation. With the help of watercolors, the technique of the willful and disobedient, Ray Hendershot (Ray Hendershot) was able to reflect the aging of the materials in the smallest details. He wrote about this a whole scientific treatise called "Technical texture with the help of watercolors" and published it back in 1999.
An interesting mood attends after getting to know the work of this American artist. There is no sense of the frailty of the world, although thoughts on this matter come after the fact. And first in the shower there is a feeling of a warm summer day, clean air, a measured life in which a neighbor's hen, wandering into someone else's yard, becomes a big event. Nostalgia for this time there - what's the use of regretting and wasting time. But the desire to be in the circle of such worries arises. A man always draws to his own origins, so there is nothing to be surprised.
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